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Chinese gay men video tv#
For years, he played masculine characters in several TV shows. This shift can be traced, in large part, to the influence of K-pop, the South Korean pop music phenomenon in which many of the singers reject traditionally masculine ideals.Īn easy way for male actors to achieve stardom is to appear in adaptions of “ boys’ love novels,” an online fiction genre originating in Japan that features homoerotic relationships between men. They’ll call their female idols “brother” or “husband” and their male idols “wife” – names meant more as compliments than insults. Within online fan communities, femininity in male celebrities isn’t stigmatized instead, it’s celebrated. Today’s young Chinese people, on the other hand, are more open to challenging gender stereotypes. In the past, female audiences would clamor for masculine looks or physiques in their male celebrities.
Chinese gay men video skin#
The male participants in these shows are often young, dress in unisex clothing, and apply orange-red eye shadow and lipstick, along with heavy makeup that whitens their skin and thickens their eyebrows. Meanwhile, “Idol Producer” and “Youth With You” appear on another video service provider, iQiyi, a subsidiary of Baidu, the Chinese equivalent of Google. These shows include “The Coming One” and “CHUANG 2021,” which appear on Tencent Video, a streaming site owned by Tencent, the Chinese technology conglomerate that also owns WeChat. Since 2017, shows produced by the country’s leading video streaming platforms – many of which mimic the basic format of shows like “ American Idol” and “ The Voice” – have launched the careers of a number of effeminate male celebrities. Furthermore, these rules didn’t regulate the physical appearance of characters. So creators simply used dialogues and gestures, like intense eye contact, to convey homosexual intimacy. However, the restrictions seemed to only inspire more creative and subversive expressions of sexuality on video streaming sites.įor example, images of two men kissing and holding hands were banned. TV dramas, films and talent shows produced by private tech companies started to take off, while ratings and ad revenues of state-owned television stations tumbled.īeginning in 2016, the government started to censor web videos with the same criteria it had been using for television.
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In the mid-2010s the Chinese government’s grip on the country’s entertainment sector began to weaken after decades of control over who could star on TV and what sort of stories could be told. The rise of effeminate male ‘traffic stars’
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To me, it’s no coincidence that the ban has come during the intense national campaign against China’s domestic big tech giants, which the government increasingly sees as a threat to its ability to keep tabs on its citizens.
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However, as someone who studies China’s queer cultures, I’m also attuned to the way pronouncements made by the Chinese government often cloak a hidden agenda.